Stuart Derdeyn/Special to the 91原创 Advance
There are common garden variety clowns. Then there is the King of Fools.
Fort 91原创-bred Gordon White wears the royal laughmaker鈥檚 crown in Cirque du Soleil鈥檚 new show Kooza, which opens this week in the blue-and-white-striped big top tent in False Creek South. It鈥檚 a role the lifetime jokester relishes as it returns the company to its roots courtesy of globally famous guffaw guru, David Shiner.
鈥淭his is the first show I鈥檝e ever done a creation for and working with David is an honour as he has developed some of the finest pieces in the world, such as the now-classic silent movie where he pulls eight or so audience members out and then makes a full silent movie with them,鈥� said White.
鈥淚t鈥檚 hilarious, it鈥檚 genius and enduring. Kooza is really focused on that kind of quality with excellent acrobatics and what you鈥檝e come to expect at a Cirque show.鈥�
Shiner has worked with the Quebec company developing routines for Quidam and other touring productions. For Kooza, the goal was to go back to the clowning and acrobatic roots of Cirque du Soleil, with less of the super high gloss production apparatus of some recent touring shows.
The narrative follows the Innocent鈥檚 journey through a world of comic and athletic characters with a focus on such comic characters as White鈥檚 King of Fools, the robotic Heimloss and crowd-pleasing Obnoxious Tourist and Bad Dog.
鈥淚n this show, the stories are perhaps more knitted together than some of the other productions as you travel through this world ruled over by my character, who is a complete and total idiot,鈥� White said. 鈥淓veryone may not know it, but to really make it work as a clown, you need to be completely exposed and vulnerable and in this one, I鈥檓 digging deep as I can into my inner dolt. The King may rule, but he barely seems aware of where he is or what he鈥檚 doing.鈥�
It鈥檚 a unique headspace to maintain and makes clowns their own clique in the circus world.
Where the acrobats, contortionists and maniacs who perform on the show-stopping Wheel of Death are backstage being bendy and friendly between acts, the clowns are often over in the corners or back in their dressing rooms quietly reflecting on breaking down all the walls between their inner selves and the audience to expose the pure zaniness that means a successful show. It鈥檚 not for everyone, White admitted.
鈥淚 knew I wanted to be a performer, specifically a clown, watching the Ed Sullivan Show as young as age five,鈥� he said.
鈥淟ater, after I graduated from Studio 58, I pursued the form - and let me tell you, it isn鈥檛 an easy or entirely pleasant process developing your character.鈥�
He said Shiner is a very giving creator for the group.
鈥淒avid鈥檚 concept of it was to have this trio of clowns being watched by the audience who are going, 鈥業 don鈥檛 believe they are going to do that, I don鈥檛 believe they are doing that and, finally, I don鈥檛 believe that they did that,鈥� and that is pretty great to work with,鈥� he said.
鈥淭he acrobatic acts are also on the edge of your seat and really back to the adrenalin excitement of classic Cirque.鈥�
Naturally, there is the pageantry people have come to expect from any Cirque du Soleil show to be found in Kooza. It wouldn鈥檛 be right to not push boundaries in stage look and design, and costumer Marie-Chantale Vallaincourt has apparently crafted some of the most complex and mesmerizing suits in the company鈥檚 history for this tour. Audience members will appreciate the rounded stage design allowing 270-degree sightlines.
Kooza, inspired by the Sanskrit word for chest or treasure, promises a 鈥渃ircus in a box鈥� experience.
鈥� Stuart Derdeyn is a Vancouver Province reporter
