Joseph Dandurand quips that he writes poetry because it鈥檚 cheaper than therapy.
The 50-year-old, single father of three has a serious presence, yet he鈥檚 friendly and welcoming as he sits behind his desk at the Kwantlen First Nation Cultural Centre on McMillan Island, chatting amicably.
It is his collection of poems about urban Aboriginal life in Canada 鈥� with their themes of love, loss and longing, addiction and abuse, playing out in short, often haunting phrases 鈥� that lend credence to his claim. Even one offered in jest.
It is this work that Dandurand will recite on Friday during a showcase at lelem鈥� Arts and Culture Caf茅, where he will read from two books of original poetry.
Copies of Hear and Foretell arrived so recently, that most of them are still stacked inside a cardboard box on the corner of his desk.
The second book, I Want, is still at the printer鈥檚 on Vancouver Island. But he will perform selections from it as well, he said.
Perform is the word he chooses to describe the way he tells his stories 鈥攍aid out on the page in terse, blunt terms, seldom more than half a dozen words at a time. Usually fewer.
They are the stories of a young man who was an alcoholic by the time he was legally allowed to drink. Who beat a drug addiction at 26. Who grew up with no roots, as a 鈥渕ilitary brat,鈥� moving from base to base across Canada.
Dandurand鈥檚 mother had grown up on the Kwantlen reservation, but left the community at 18 and married a soldier she met in Ontario.
They were in New Brunswick by the time Dandurand was born. As a young adult, he returned to Ontario to study creative writing and theatre at Algonquin College in Ottawa.
It was here he discovered that he had a gift for turning words into pictures 鈥� not all of them pretty, but each one with a certain beauty that only the truth can convey.
鈥淚 needed a place to belong,鈥� he said of his decision to attend university.
It wasn鈥檛 until he was 30 years old that he reconnected with his roots.
As Dandurand describes it, he鈥檇 made a stop in 91原创 to fish on his way to Mexico, 鈥渢o drink beer on the beach and write bad poetry,鈥� when chief Marilyn Gabriel offered him a job as steward of the Kwantlen nation鈥檚 cultural artifacts.
He accepted and soon began reading, teaching himself everything he could about First Nations archaeology.
Over the past two decades, the community has collected thousands of pieces 鈥� most found in the Stave Lake area, where Kwantlen lands were flooded for hydro power.
Drawers and cabinets are filled with stone cutting blades of different shapes and sizes.
Most were carved by Kwantlen people, others 鈥� clearly from someplace else 鈥� show evidence of early trade among the regions.
Today, they are kept in a repository in the community鈥檚 brand new Kwantlen Cultural Centre.
As part of the heritage management plan related to the Stave Lake lands, B.C. Hydro paid for the construction of the large cedar building, which is managed by Dandurand.
In addition to the artifact repository, it holds a long house where ceremonies are held, including weddings, funerals and the annual winter celebration, as well as an industrial kitchen, from which events are catered.
The poet and playwright doesn鈥檛 see his work as a writer as being separate from his work at the cultural centre.
鈥淎 lot of that ties into the being the manager of this space,鈥� he said.
鈥淚 tell people to come here with a good mind and a good heart, and to leave stresses and negativity outside.鈥�
Dandurand鈥檚 poetry reading will begin at 7 p.m. on Friday, May 22, inside the lelem鈥� Arts and Culture Caf茅, Fort 91原创, which is also owned and operated by the Kwantlen First Nation.
The public is invited to stop by and listen and enjoy a coffee or a glass of wine.
Lelem鈥� is located at #100-23285 Billy Brown Rd. in Fort 91原创.
For more information, contact Dandurand by email at tony@kwantlenfn.ca or by phone at 604-761-2007.
